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An Engineer's Guide to Cats!!

Writers and the Net

I spent all weekend attending the Writers Union of Canada's annual general meeting in Toronto. A major topic of discussion was the effect of digital media upon writing: in creation (are we stringent enough editors of our own work when we write on the computer?), production (print on demand? e-books?), dissemination (who holds electronic rights? who is recompensed, if anyone is, for them? how free should information be? when is our work not "information"?), and promotion (web presence seems to be mandatory for writers these days, as publishing houses do less for backlist and midlist writers; some writers have cultivated readership almost entirely through their blogs).

According to the experts, I am not using this blog properly! I should update it much more often, and tell the world what I'm reading and writing,so that you will all eagerly anticipate my next book and line up to buy it. Can there actually be anyone out there who actually wants to know what I'm reading (just finished two books of short stories by Ali Smith and started Fabrizio's Return by Mark Frutkin), much less what I'm writing (revising my book of linked short stories for kids as a novel, leaving out two stories to save for later books in the projected series and writing new chapters instead; writing a murder mystery set in contemporary Toronto; working on some new poems), much less what other literary projects occupy my time (going over the proofs for a big book on the geography of aging in Canada that I edited for McGill Queens University Press). And if I tell you this stuff, will you tell all your friends to read my blog and buy my books?

Because that's the real issue, isn't it.

Click and drag a garden

http://www.procreo.jp/labo/flower_garden.swf

Cats&Dogs

DOG'S Diary
8:00 am - Dog food! My favourite thing!

9:30 am - A car ride! My favourite thing!

9:40 am - A walk in the park! My favourite thing!

10:30 am - Got rubbed and petted! My favourite thing!

12:00 pm - Lunch! My favourite thing!

1:00 pm - Played in the yard! My favourite thing!

3:00 pm - Wagged my tail! My favourite thing!

5:00 pm - Milk bones! My favourite thing!

7:00 pm - Got to play ball! My favourite thing!

8:00 pm - Wow! Watched TV with my people! My favourite thing!

11:00 pm - Sleeping on the bed! My favourite thing!


CAT'S DIARY

Day 983 of my captivity.

My captors continue to taunt me with bizarre little dangling objects. They dine lavishly on fresh meat, while the other inmates and I are fed hash or some sort of dry nuggets. Although I make my contempt for the rations perfectly clear, I nevertheless must eat something in order to keep up my strength.

The only thing that keeps me going is my dream of escape.

In an attempt to disgust them, I once again vomit on the carpet.

Today I decapitated a mouse and dropped its headless body at their feet. I had hoped this would strike fear into their hearts, since it clearly demonstrates what I am capable of. However, they merely made condescending comments about what a "good little hunter" I am.

There was some sort of assembly of their accomplices tonight. I was placed in solitary confinement for the duration of the event. However, I could hear the noises and smell the food. I overheard that my confinement was due to the power of "allergies." I must learn what this means, and how to use it to my advantage.

Today I was almost successful in an attempt to assassinate one of my tormentors by weaving around his feet as he was walking. I must try this again tomorrow -- but at the top of the stairs.

I am convinced that the other prisoners here are flunkies and snitches. The dog receives special privileges. He is regularly released and seems to be more than willing to return. He is obviously retarded.

The bird has got to be an informant. I observe him communicate with the guards regularly. I am certain that he reports my every move. My captors have arranged protective custody for him in an elevated cell, so he is safe. For now...

No Comment

Squirrel

Had an oddly moving experience with a wild critter over the last 24 hours. Last night around 7, I found a wide-eyed baby squirrel between some bedding plants (hostas, very cheap actually) outside a corner store near Rachel's dance class on Parliament Street. I started talking to it and put my hand out, and it jumped into my arms and snuggled in, so I couldn't put it down.

According to the proprietor of the store, the squirrel's mother had drowned on Sunday (I have no idea how; in retrospect I should have asked) and the baby had just stayed there, frightened, for the past four days. They'd given it some peanuts but clearly it was too little to eat them. So I offered to take care of it, and they were happy to see it go.

First I went to a pet store across the street to see if they had formula for baby mammals, and maybe an eyedropper to dispense it with, but they were closed. So I bought some milk, and asked the singing waiter at Jet Fuel to heat it up. He foamed some in the cappuccino machine and I fed the squirrel from my finger. She (I thought it was a boy but it turned out to be a girl) was absolutely ravenous. I kept putting foamy milk on my palm where she was sitting, and she was very happy sucking and licking it off for the whole hour Rachel was at the Canadian Children's Dance Theatre.

A lot of little girls waiting for their class enjoyed the squirrel as well, and made helpful suggestions about names. "Jamie" was popular, as being adaptable to either a boy or a girl. But when Rachel came out of her class, we decided to call the squirrel "Misha" - after Barishnikov - since we thought it was a boy and found it outside a dance studio.

We rummaged through the back of the car, where a couple of bags of old clothes were stowed en route to Goodwill, and made a nice little nest for baby in a purse stuffed with teeshirts. She immediately curled up with her tail over her face and went to sleep. Then we drove to the Village Gate veterinarian at the corner of Bathurst and Nina, knowing he always works late; sure enough, he was still around, and gave us the number of the Toronto Wildlife Centre, but they had already closed. So we made a little cage for the squirrel full of towels and put her in a dark quiet place for the night.

Before I went to bed I checked on her, and offered her a little water in a tiny plastic cup. She reached out with her hands and held tight to the cup, lapping the water up with enthusiasm. In the morning she was quite perky and happy to see me. I gave her some more water and put in another call to the Wildlife Centre. They told me I shouldn't have been handling her or giving her water, but it was clear to me that the squirrel had really needed the comfort of touch and something to drink. She loved being petted just as much as my guinea pigs always do. And I felt confident that I hadn't overfed her.

With her still snuggled in the purse, I drove to the Wildlife Centre, made a hefty donation, and relinquished her care to others with more experience of rehabilitating wild animals. They agreed with my estimate of her age as about 6 weeks old, and her condition as very good. She will be boarded with other baby squirrels and released back to her original area of Toronto in about 8 weeks.

I cried all the way home.

spring maybe, maybe spring

At Cedarvale Ravine, red-winged blackbirds are out in full force, swaying from the cattails, as are robins, prodding the slush hopefully in search of hidden worms. A few green sprouts have nosed their way up under bridges and in any other area not still two feet deep in snow. There is more sunlight, longer. So although this has been un vrais hiver canadien, and the first such for a very long time, it seems to be on the way out, if not on schedule (the spring equinox having already passed with no discernible effect) at least in conformity with the winters of my youth: to whit, the snow should melt by the May 24 weekend, when gardening begins in earnest.

Like the no white shoes after Labour Day rule of that same distant childhood, the no gardening until Victoria Day ban seems to have eased. Whether this is the result of global warming or the general laxity of modern civilization remains to be seen.

The funniest skit EVER about language!!

Backyard, dog, winter

Thought of the Day

“A writer is a person for whom writing is more difficult than it is for other people.”

--Thomas Mann

Radio Silence

If a blog is posted in cyberspace and nobody comments, is anyone reading it?

Reading and Rereading: Part 1

Today the Globe and Mail came out with its annual "top 100" books. And as usual, I've read very few -- three, to be precise. It's daunting how, with each passing year, I get further behind in my reading. Certain masterworks by, say, Proust or Henry James, which I pick up every other once-in-a-while fully intending to read, slide back on the shelf, abashed, their mature beauties shunned for the flash and dazzle of something new. Moby Dick: never made it past the first 100 pages. But there may certainly be a time in my life when an obsessively encyclopaedic novel about whale-hunting is the true and only thing I need to read and then it will be waiting, open-armed.

And there are those that I did read 30 or even 40 years ago which I want to reread, mostly the great Russians, but also things like Madame Bovary and Don Quixote, touchstones of literary culture that are not as vivid in my mind as I would like them to be. Books I enjoyed so much once that I would like to experience the resonant pleasure of rereading them. For if reading a good book for the first time is like drinking wine, rereading it is like drinking cognac.

When my daughter was in Grade Six her teacher, who had the kids keep a chart of every book they read and awarded stickers to those who read the most, called her a cheater for her habit of rereading favourite books, sometimes as soon as she had finished them the first time. This teacher insisted that there was no point rereading books when there were so many others one hadn't read yet. My daughter, as besotted with words as I am, reported this nonsense to me with justifiable indignation. We agreed that her teacher obviously didn't "get" reading, seeing it as a chore rather than one of life's most profound pleasures.

No one would ever counsel a child not to listen to a piece of music a second time, or not to view a painting more than once! How could anyone suggest that books don't repay a second encounter? Or even a third. You never read the same book twice, anyway, since you miss so much the first time and if the time between readings is long enough, have changed significantly in the interval.

To keep my bearings, I need to reread, from time to time, certain nonfiction texts that have shaped my deepest understanding of the world: among them Gombrich's Art and Illusion, Diane Ackerman's A Natural History of the Senses, In Patagonia by Bruce Chatwin, The Periodic Table by Primo Levi, The Man Who Mistook his Wife for a Hat by Oliver Sacks, Bird by Bird by Anne Lamott... And I reread poetry all the time. Certain poets, like Hass and Amichai, CK Wright, Rilke, Neruda, Seferis, Milosz, Transtromer--a long long list--are the stars I steer by. But I continue to feel the compulsion to go forward rather than backwards when it comes to fiction. Why is that, I wonder?

Perhaps it's the residue of having been an academic. In my youth I was driven to master the canon, and so read little contemporary writing except the odd faddish novel until I started writing poetry seriously and realized that my accent was archaic. And even then it was just poetry that I tried to keep up with; not fiction.

I have to go pick up the aforementioned daughter from gymnastics, so will pursue these thoughts further at another time..

In relation to the vast amounts of trivia required to play all those word games....

How to waste time when not reading other people's blogs

or, alternatively:

http://www.freerice.com

or best of all

poetry versus prose: the cage match

SO I just got back from Montreal via Kingston, having read, in the space of 4 days, to students and profs at Queens' and McGill universities, Queen of the Angels High School for relatively well-behaved Catholic girls, and a large audience of mostly older people at the Jewish Public Library. The last event (the only paid one) was a talk about and reading from The Violin Lover, and the high school trip was to teach the girls how to write poetry; at Queens' and at McGill I did a mixture of poetry and prose, groping towards some kind of understanding of what I myself am doing and, not entirely coincidentally, nudging me towards writing a paper for the Bronwen Wallace conference next March.

was that all one sentence? no? good.


ANYHOW initially I was kinda stuck on the polarities of lyric and narrative, the former being a vertical slice of time, an exploration of all the qualities of the moment, resulting, most often, in images, while the latter is the engine of plot, horizontal, sequential cause and effect, etcetera. I've generally understood these not as genres but as aesthetic imperatives: "stop and explore the now" in tension, always, for the artist, with "go on and tell the story". But when someone at Queens' actually asked me what was the big difference for me,in my own work, between writing prose fiction and writing poetry I realized that it wasn't that at all, it was dialogue. After all, dialogue is the imitation of speech while the rest of it is unambiguously textual.

This may help me think more clearly about Bron's decision to write stories after so many years arguing that narrative poetry could do everything fiction could. Obviously her short stories are longer than her poems, and have flashbacks, and are written in sentences rather than lines, etcetera, but perhaps the polyphony -- the sense of many voices talking -- was key for her.

Have to think about this more. If anyone else out there is thinking about it too, I'd love to hear from you!!

I'm sorry but it seems to be my week for posting only UK items! But you have to read this.

http://books.guardian.co.uk/news/articles/0,,2190553,00.html

My new favourite song!

http://music.metafilter.com/560/The-Cheese-Song-in-Dmaj

hysterical British skit about agents and authors on Youtube

http://www.youtube.com/watch?v=Zo1XFz0kac0&v3

Andrew Motion on the 13 volume OED

Every time I peer into it, which is several times a day, I think: "All the words I'll ever need are here; the only thing I have to do is get them out in the right order."

from this weekend's Guardian Review.